![]() If you’re interested in deep, divergent contrasts, you want charcoal rather than graphite. Just as you can’t force a cat to bark or a dog to meow, it’s impossible to force your materials to do something against their essential nature.įor instance, graphite, sanguine chalk and colored pencil all yield less contrast than compressed charcoal or ink. If there’s one thing I’ve learned over the years, it’s that you shouldn’t try to make a material do something it can’t. ![]() Collection Casa Buonarroti, Florence, Italy. Study of a Male Nude by Michelangelo, ca. ![]() The choice of materials is a vital part of how an artist approaches his or her work, and it’s critical to pick the right drawing instruments, surfaces and other tools to fit the needs of your artistic vision. 2 pencil, the drawing would not possess the same depth of value or volume. But it’s also true if Michelangelo had used a ballpoint pen or a No. The identical pen and ink in the hands of a rookie would not produce a similar masterpiece. A quill pen did not draw Michaelangelo’s Study of a Male Nude. There is no substitute for skill and experience. Below, artist Dan Gheno shares his expert insight into the ins and outs of some of the most common drawing materials. If you want more successful drawings, knowing the pros and cons of the various materials available is key. And some are better than others when it comes to achieving certain effects. Your drawing materials can determine the overall success of your finished artwork.
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